Fruit growing
and viticulture of South Russia

Annotation

A retrospective analysis of the culture of roses in the industrial horticulture of the world, a review of the rose assortment of various garden groups and special agrotechnical methods of plants cultivation in an open ground and in greenhouses is carried out. The relevance of the variety study of this plants group and the prospects for its use in the phytodesign are substantiated. The objects are low growing varieties from spray rose groups, miniature roses, and interior design projects with their participation. At the first stage of the work, a study of the assortment in collection of the FSBSI NCFSCHVW was carried out and selected the varieties of roses from these groups for landscaping the designed interiors. In the working process, the most demanded options in a modern style were selected. The main ideas of the projects were the creation of a constructive connection of plant composition with the modern interior and the architectural and planning purpose of the room, corresponding with biological features of plants. Designed interiors within the boundaries of a single room included the rose compositions of the Regensberg and Clementine varieties, and color potpourri from plants of different varieties: Malchik-s-Palchik, Bridal Meillandina, Thumbelina. Depending on the level of natural illumination, the plants were placed in a sub window space or central zone. To the care of plants (watering, fertilizer, spraying, pruning, etc.) the design solutions assumed free access zones. The use of roses in gardening contributed to a significant increase in the artistic expression of the environment. The main organizational ideas of the developed projects were the creation of a constructive connection of the plant composition with the participation of roses to the stylistics of the modern interior, adherence to the principles of rationalism, functionality and aesthetics. This approach provided the artistic Expressiveness and uniqueness of design projects and allowed to create a special emotionally active interior, ensuring the cultural integrity of the object, which united the plants with the objective world.